THE PROPHETIC PICTURES - Cam Post

Saturday, August 11, 2018

THE PROPHETIC PICTURES

"but this painter!” cried Walter Ludlow, with animation. “He now not handiest excels in his unusual artwork, howeverpossesses considerable acquirements in all other gaining knowledge of and science. He talks Hebrew with Dr. Mather and gives lectures in anatomy to Dr. Boylston. In a phrase, he's going to meet the first-class-instructed man among us on his personal floor. moreover, he is a elegant gentleman, a citizen of the world – sure, a real cosmopolite; for he'llcommunicate like a local of each clime and u . s . a . on the globe, besides our very own forests, whither he is now going. nor is all this what I most respect in him.”


“indeed!” stated Elinor, who had listened with a ladies’s hobby to the outline of this kind of guy. “yet this is admirable sufficient.”

“simply it's far,” spoke back her lover, “but a long way less so than his natural present of adapting himself to each sort ofcharacter, insomuch that each one men – and all ladies too, Elinor – shall find a mirror of themselves in this remarkablepainter. but the finest surprise is but to be advised.”

“Nay, if he have more wonderful attributes than those,” said Elinor, laughing, “Boston is a deadly domicile for the terriblegentleman. Are you telling me of a painter, or a wizard?”

“In truth,” responded he, “that query is probably asked a great deal greater severely than you assume. they are sayingthat he paints not merely a man’s features, however his mind and heart. He catches the secret sentiments and passions and throws them upon the canvas like sunshine, or perhaps, within the snap shots of dark-souled guys, like a gleam of infernal hearth. it's miles an awful gift,” introduced Walter, reducing his voice from its tone of enthusiasm. “I shall benearly afraid to sit to him.”

“Walter, are you in earnest?” exclaimed Elinor.

“For Heaven’s sake, dearest Elinor, do now not allow him paint the look that you now wear,” said her lover, smiling, although rather confused. “There! it's far passing away now; however when you spoke, you appeared frightened to death, and really unhappy besides. What had been you taking into consideration?”

“nothing, not anything!” spoke back Elinor, swiftly. “You paint my face together with your own fantasies. nicely, come for me day after today, and we are able to visit this tremendous artist.”

but while the young man had departed, it cannot be denied that a exquisite expression became once more seen at thehonest and younger face of his mistress. It turned into a sad and tense look, little according with what ought to have beenthe feelings of a maiden at the eve of wedlock. but Walter Ludlow became the chosen of her coronary heart.

“a look!” stated Elinor to herself. “No marvel that it startled him if it expressed what I on occasion feel. I recognize with the aid of my personal experience how frightful a look can be. but it was all fancy. I notion not anything of it at the time; i'vevisible nothing of it considering that; I did but dream it;” and he or she busied herself worn-outapproximately the embroidery of a ruff wherein she supposed that her portrait have to be taken.

The painter of whom they had been talking changed into now not one of those native artists who at a later duration than this borrowed their colorings from the Indians and synthetic their pencils of the furs of untamed beasts. perhaps, if he may want to have revoked his lifestyles and prearranged his destiny, he would possibly have selected to belong to that faculty with out a master in the hope of being at least authentic, considering the fact that there were no works of art to mimic nor regulations to observe. but he had been born and educated in Europe. humans said that he had studied the grandeur or splendor of concept and every touch of the master-hand in all the most well-known photographs in shelvesand galleries and at the partitions of church buildings till there was not anything more for his effective thoughts to study. art could upload not anything to its instructions, but Nature may. He had, therefore, visited a international whither none of his expert brethren had preceded him, to ceremonial dinner his eyes on visible pix that were noble and picturesque, buthad never been transferred to canvas. america turned into too bad to manage to pay for other temptations to an artist of eminence, although a number of the colonial gentry on the painter’s arrival had expressed a want to transmit their lineaments to posterity through moans of his talent. whenever such proposals have been made, he constant his piercing eyes at the applicant and appeared to appearance him via and thru. If he beheld only a swish and comfy visage, althoughthere were a gold-laced coat to adorn the photograph and golden guineas to pay for it, he with politeness rejected the challenge and the praise; however if the face have been the index of whatever uncommon in idea, sentiment or revel in, or if he met a beggar in the street with a white beard and a furrowed forehead, or if sometimes a infant occurred to appearance up and smile, he might exhaust all the artwork on them that he denied to wealth.

Pictorial talent being so uncommon within the colonies, the painter have become an item of standard interest. If few or none may want to appreciate the technical advantage of his productions, but there were points in regard to which the opinion of the gang turned into as treasured as the refined judgment of the newbie. He watched the effect that everyphoto produced on such untutored beholders, and derived profit from their remarks, while they would as quickly have idea of educating Nature herself as him who regarded to rival her. Their admiration, it need to be owned, was tinctured with the prejudices of the age and us of a. some deemed it an offence in opposition to the Mosaic regulation, or even a presumptuous mockery of the creator, to convey into existence such active pictures of his creatures. Others, fearful at theart that can raise phantoms at will and hold the form of the useless among the living, had been inclined to don't forgetthe painter as a magician, or perhaps the well-known Black man of vintage witch-instances plotting mischief in a newguise. these foolish fancies were greater, than 1/2 believed a number of the mob. Even in advanced circles his characterbecome invested with a indistinct awe, partially growing like smoke-wreaths from the famous superstitions, howevermainly caused by the numerous knowledge and abilties which he made subservient to his career.

Being at the eve of marriage, Walter Ludlow and Elinor had been eager to attain their pix as the first of what, they doubtless was hoping, would be an extended series of family images. The day after the conversation above recorded they visited the painter’s rooms. A servant ushered them into an apartment wherein, although the artist himself was not seen, there were personages whom they may infrequently forbear greeting with reverence. They knew, indeed, that the wholemeeting have been but pix, but felt it impossible to split the concept of existence and mind from such placingcounterfeits. several of the photos had been recognized to them either as worn-out characters of the day or their privatebuddies. there was Governor Burnett, searching as if he had just received an undutiful communication from the residenceof Representatives and have been inditing a maximum sharp response. Mr. Cooke hung beside the ruler whom he hostile, sturdy and somewhat puritanical, as befitted a famous leader. The ancient female of Sir William Phipps eyed them from the wall in ruff and farthingale, an imperious old dame now not unsuspected of witchcraft. John Winslow, then a totallyyounger man, wore the expression of warlike business enterprise which lengthy later on made him a distinguishedtiredpreferred. Their personal buddies had been recognized at a look. In most of the pics the entire thoughts and man or woman have been brought tired on the countenance and focused right into a single appearance; so that, to talkironically, the originals infrequently resembled themselves so strikingly because the graphics did.

among those present day worthies there have been antique bearded saints who had almost vanished into the darkening canvas. there was additionally a faded however unfaded Madonna who had perhaps been worshipped in Rome, and now regarded the fanatics with this sort of moderate and holy look that they longed to worship too.

“How singular a notion,” determined Walter Ludlow, “that this beautiful face has been stunning for above two hundred years! Oh, if all beauty could undergo so well! Do you not envy her, Elinor?”

“If earth were heaven, i would,” she responded. “however, where all matters fade, how miserable to be the only that could not fade!”

“This dark antique St. Peter has a fierce and ugly scowl, saint even though he be,” endured Walter; “he troubles me. but the Virgin seems kindly at us.”

“yes, but very sorrowfully, methinks,” stated Elinor.

The easel stood under these 3 vintage images, maintaining one that were currently began. After a bit inspection they began to apprehend the capabilities in their very own minister, the Rev. Dr. Colman, growing into form and life, as it were, tired of a cloud.

“kind vintage guy!” exclaimed Elinor. “He gazes at me as though he have been tired to utter a word of paternal recommendation.”

“And at me,” stated Walter, “as if he were tired to shake his head and rebuke me for a few suspected iniquity. but so does the authentic. I shall by no means experience pretty cozy below his eye until we stand earlier than him to be married.”

They now heard a footstep at the floor, and, turning, beheld the painter, who were a few moments inside the room and had listened to three in their remarks. He was a middle-elderly man with a countenance nicely worthy of his very ownpencil. certainly, by way of the picturesque though careless association of his wealthy get dressed, and perhaps due to the fact his soul dwelt always amongst painted shapes, he regarded particularly like a portrait himself. His traffic have been realistic of a kindred among the artist and his works, and felt as if one of the snap shots had stepped from the canvas to salute them.

Walter Ludlow, who became barely recognized to the painter, defined the item of their go to. at the same time as he spoke a sunbeam become falling athwart his figure and Elinor’s with so happy an effect that they also regarded residing pix of kids and splendor gladdened through vibrant fortune. The artist changed into clearly struck.

“My easel is occupied for several ensuing days, and my stay in Boston should be brief,” said he, thoughtfully; then, after an observant glance, he added, “but your needs shall be gratified even though I disappoint the chief-justice and Madame Oliver. I must not lose this possibility for the sake of portray some ells of broadcloth and brocade.”

The painter expressed a preference to introduce each their pictures into one picture and represent them engaged in someappropriate movement. This plan might have thrilled the fans, but turned into necessarily rejected due to the fact so biga space of canvas might were not worthy for the room which it was meant to enhance. two half of-period pics have beentherefore fixed upon. when they had taken go away, Walter Ludlow requested Elinor, with a grin, whether she knew what an influence over their fates the painter turned into tired to acquire.

“The antique women of Boston verify,” continued he, “that after he has as soon as got ownership of a person’s face and discern he can also paint him in any act or situation something, and the picture could be prophetic. Do you consider it?”

“now not pretty,” stated Elinor, smiling. “yet if he has such magic, there is something so mild in his way that i'm sure he will use it well.”

It was the painter’s desire to proceed with both the photographs on the identical time, assigning as a reason, within themystical language which he on occasion used, that the faces threw mild upon every different. as a consequence, he gave now a touch to Walter and now to Elinor, and the features of 1 and the opposite worn-out to start forth so vividly that it seemed as if his positive art could withworntired disengage them from the canvas. Amid the wealthy light and deep shade they beheld their phantom selves, but, although the likeness promised to be best, they were no longer prettysatisfied with the expression: it regarded more vague than in most of the painter’s works. He, however, became satisfiedwith the prospect of fulfillment, and, being lots interested bytired the fans, hired his amusement moments, unknown to them, in making a crayon comic strip of their figures. for the duration of their sittings he engaged them in communiqueand kindled up their faces with characteristic trends, which, even though constantly various, it turned into his cause to combine and connect. At length he announced that at their next visit each the graphics might be geared up for transport.

“If my pencil will but be true to my concept within the few final touches which I meditate,” located he, “those two picsmay be my very pleasant performances. Seldom indeed has an artist such topics.” while speakme he still bent his penetrative eye upon them, nor withdrew it until they had reached the bottom of the steps.

not anything within the whole circle of human vanities takes stronger preserve of the creativeness than this affair of having a portrait painted. yet why have to or not it's so? The searching-glass, the polished globes of the andirons, the mirror-like water, and all different reflecting surfaces, always gift us with pix – or, instead, ghosts – of ourselves which we glance at and straightway worn-out them. but we neglect them only because they vanish. it is the concept of duration – of earthly immortality – that gives one of these mysterious hobby to our very own photographs.

Walter and Elinor were now not insensible to this sense, and hastened to the painter’s room punctually on the appointed hour to fulfill the ones pictured shapes which were to be their representatives with posterity. the sunshine flashed after them into the condominium, but left it particularly gloomy as they closed the door. Their eyes were at once attracted totheir snap shots, which rested in opposition to the farthest wall of the room. At the primary leaf through the dim mild and the distance, seeing themselves in precisely their natural attitudes and with all the air that they diagnosed so properly, they uttered a simultaneous exclamation of delight.

“There we stand,” cried Walter, enthusiastically, “constant in sunshine for ever. No dark passions can collect on our faces.”

“No,” stated Elinor, greater evenly; “no dreary alternate can sadden us.”

This turned into stated while they have been approaching and had yet received handiest an imperfect view of the pictures. The painter, after saluting them, busied himself at a desk in completing a crayon cartoon, leaving his traffic to shape their personal judgment as to his perfected labors. At durations he despatched a glance from beneath his deep eyebrows, watching their countenances in profile with his pencil suspended over the caricature. that they had now stood some moments, each in the front of the other’s picture, deliberating it with entranced interest, however without uttering a word. At period Walter stepped forward, then back, viewing Elinor’s portrait in diverse lights, and finally spoke.

“Is there now not a change?” said he, in a dubious and meditative tone. “yes; the perception of it grows more bright the longer I look. it's far definitely the equal photograph that I noticed the day before today; the get dressed, the functions, all are the identical, and but something is altered.”

“Is, then, the image much less like than it changed into the day past?” inquired the painter, now drawing close to with irrepressible hobby.

“The capabilities are ideal Elinor,” responded Walter, “and at the first glance the expression regarded additionally hers; however I ought to fancy that the portrait has changed countenance even as i've been searching at it. The eyes are fixedon mine with a unusually sad and disturbing expression. Nay, it is grief and terror. is that this like Elinor?”

“examine the living face with the pictured one,” stated the painter.

Walter glanced sidelong at his mistress, and began. motionless and absorbed, interested, as it have been, in contemplation of Walter’s portrait, Elinor’s face had assumed exactly the expression of which he had simply been complaining. Had she practised for whole hours earlier than a mirror, she couldn't have stuck the look so efficaciously. Had the photo itself been a reflect, it could not have thrown again her present thing with stronger and greater despairtruth. She seemed quite unconscious of the speak between the artist and her lover.

“Elinor,” exclaimed Walter, in amazement, “what trade has come over you?”

She did not pay attention him nor desist from her fixed gaze until he seized her hand, and consequently attracted her notice; then with a sudden tremor she looked from the picture to the face of the authentic.

“Do you notice no change in your portrait?” requested she.

“In mine? None,” replied Walter, examining it. “however let me see. yes; there's a mild alternate – an improvement, I assume, in the photo, even though none within the likeness. It has a livelier expression than the day gone by, as though a few vivid thought were flashing from the eyes and worn-out to be uttered from the lips. Now that i have caught the look, it will become very determined.”

at the same time as he become motive on these observations Elinor turned to the painter. She seemed him with grief and awe, and felt that he repaid her with sympathy and commiseration, though wherefore she may want to but vaguely bet.

“That appearance!” whispered she, and shuddered. “How came it there?”

“Madam,” said the painter, unluckily, taking her hand and leading her apart, “in both these pictures i've painted what I noticed. The artist – the authentic artist – ought to look under the worntired. it is his gift – his proudest, howeverfrequently a despair one – to see the inmost soul, and with the aid of a strength indefinable even to himself to make it glow or darken upon the canvas in glances that explicit the notion and sentiment of years. might that i'd persuade myself of error in the present example!”

that they had now approached the desk, on which were heads in chalk, palms nearly as expressive as normal faces, ivied church-towers, thatched cottages, old thunder-bothered timber, Oriental and vintage dress, and all such picturesque vagaries of an artist’s idle moments. Turning them over with seeming carelessness, a crayon sketch of two figures turned into disclosed.

“If i've failed,” endured he – “if your coronary heart does not see itself meditated on your personal portrait, if you have no secret reason to consider my delineation of the opposite – it isn't but too overdue to modify them. i'd exchange the motion of those figures too. but would it have an impact on the occasion?” He directed her observe to the caricature.

A thrill ran through Elinor’s frame; a shriek became upon her lips, however she stifled it with the self-command that turns into worn-out to all who hide thoughts of fear and anguish within their bosoms. Turning from the desk, she perceived that Walter had advanced close to sufficient to have seen the sketch, even though she could not determine whether it had stuck his eye.

“we are able to now not have the photographs altered,” said she, swiftly. “If mine is unhappy, I shall but look the gayer for the comparison.”

“Be it so,” spoke back the painter, bowing. “can also your griefs be such fanciful ones that only your snap shots may additionally mourn for them! on your joys, may also they be genuine and deep, and paint themselves upon this lovableface till it pretty belie my art!”

After the wedding of Walter and Elinor the pictures shaped the 2 most worn-outstanding ornaments in their abode. They hung aspect by way of facet, separated with the aid of a slim panel, appearing to eye each different constantly, butcontinually returning the gaze of the spectator. Travelled gentlemen who professed a understanding of such subjectsreckoned these the various maximum admirable specimens of contemporary portraiture, while not unusual observers in comparison them with the originals, characteristic by feature, and have been rapturous in praise of the likeness. but it become on a 3rd class – neither travelled connoisseurs nor not unusual observers, but human beings of natural sensibility – that the pictures wrought their most powerful impact. Such men and women might gaze carelessly at the beginning, but, becoming involved, could go back each day and look at these painted faces like the pages of a mystic quantity. Walter Ludlow’s portrait attracted their earliest note. inside the absence of himself and his bride they every now and thendisputed as to the expression which the painter had intended to throw upon the functions, all agreeing that there has been a look of earnest import, even though no defined it alike. there has been much less range of opinion in regard to Elinor’s photo. They differed, certainly, of their attempts to estimate the nature and intensity of the gloom that dwelt upon her face, however agreed that it became gloom and alien from the natural temperament in their youthful buddy. A certain fanciful man or woman announced because the result of a lot scrutiny that each these images had been parts of one layworntired, and that the melancholy strength of feeling in Elinor’s countenance bore connection with the morebright emotion – or, as he termed it, the wild passion – in that of Walter. although unskilled inside the art, he even started worntired a comic strip in which the action of the 2 figures was to correspond with their mutual expression.

It was whispered among buddies that each day Elinor’s face was assuming a deeper colour of pensiveness which threatened quickly to render her too genuine a counterpart of her despair image. Walter, on the other hand, as opposed toacquiring the shiny appearance which the painter had given him at the canvas, have become reserved and downcast, without a tiredward flashes of emotion, but it might be smouldering inside. In direction of time Elinor hung a appropriatecurtain of crimson silk wrought with vegetation and fringed with heavy golden tassels before the pictures, below pretence that the dust might tarnish their hues or the light dim them. It become enough. Her site visitors felt that the huge folds of the silk should never be withdrawn nor the pics stated in her presence.

Time wore on, and the painter came again. He have been a long way enough to the north to look the silver cascade of the Crystal Hills, and to look over the enormous round of cloud and wooded area from the summit of new England’s loftiest mountain. however he did no longer profane that scene via the mockery of his artwork. He had additionally lain in a canoe on the bosom of Lake George, making his soul the replicate of its loveliness and grandeur until now not a picturewithin the Vatican become more vibrant than his recollection. He had long gone with the Indian hunters to Niagara, and there, again, had flung his hopeless pencil down the precipice, feeling that he could as quickly paint the roar as aught else that is going to make up the wondrous cataract. In fact, it was seldom his impulse to replicate natural scenery except as a framework for the delineations of the human shape and face intuition with thought, passion or struggling. With save of such his adventurous ramble had enriched him. the strict dignity of Indian chiefs, the dusky loveliness of Indian women, the domestic lifestyles of wigwams, the stealthy march, the struggle underneath gloomy pine trees, the frontier fortresswith its garrison, the paradox of the vintage French partisan bred in courts, however grown grey in shaggy deserts, – such were the scenes and photographs that he had sketched. The glow of perilous moments, flashes of untamed feeling, struggles of fierce power, love, hate, grief, frenzy – in a phrase, all of the c5ed7369a5a50edae102076547d1405a heart of the old earth – were worn-out to him under a brand new shape. His portfolio turned into full of photograph illustrations of the volume of his memory which genius might transmute into its own substance and imbue with immortality. He felt that the deep information in his artwork which he had sought up to now changed into discovered.

but amid stern or adorable nature, within the perils of the wooded area or its overwhelming peacefulness, nonethelessthere have been two phantoms, the companions of his manner. like any different guys round whom an engrossing motivewreathes itself, he was insulated from the mass of humankind. He had no goal, no satisfaction, no sympathies, but what have been in the long run linked along with his artwork. even though mild in way and upright in rationale and motion, he did no longer own kindly emotions; his heart changed into cold: no dwelling creature will be introduced close tosufficient to preserve him warm. For those beings, but, he had felt in its greatest depth the type of hobby which alwaysallied him to the topics of his pencil. He had pried into their souls together with his keenest perception and pictured the end result upon their functions together with his utmost skill, so as barely to fall quick of that widespread which no genius ever reached, his own severe thought. He had caught from the duskiness of the future – as a minimum, so he fancied – a worried mystery, and had obscurely worn-out it at the portraits. so much of himself – of his imagination and all other powers – have been lavished on the examine of Walter and Elinor that he almost regarded them as creations of his own, just like the thousands with which he had peopled the nation-states of picture. therefore did they flit throughthe twilight of the woods, hover on the mist of waterfalls, appearance forth from the reflect of the lake, nor melt away inside the noontide sun. They haunted his pictorial fancy, now not as mockeries of existence nor light goblins of the lifeless, but inside the guise of portraits, every with an unalterable expression which his magic had evoked from the caverns of the soul. He couldn't recross the Atlantic until he had once more beheld the originals of those airy pix.

“O wonderful art!” as a result mused the enthusiastic painter as he trod the road. “Thou artwork the picture of the author’s own. The innumerable forms that wander in nothingness begin into being at thy beck. The dead stay once more; thou recallest them to their vintage scenes and givest their gray shadows the lustre of a better life, right away earthly and immortal. Thou snatchest lower back the fleeting moments of records. With then there is no beyond, for at thy touch all that is brilliant becomes for ever gift, and illustrious men stay through long ages within the seen overall performance of the very deeds which made them what they are. O amazing art! as thou bringest the faintly-revealedtired past to face in that slender strip of sunlight which we name ‘now,’ canst thou summon the shrouded destiny to satisfy her there? Have I no longer finished it? Am I no longer thy prophet?”

accordingly with a proud but depression fervor did he nearly cry aloud as he surpassed through the toilsome streetamong human beings that knew not of his reveries nor should understand nor take care of them. It isn't desirable for manto cherish a solitary ambition. until there be the ones round him through whose instance he may additionally alterhimself, his mind, goals and hopes will become extravagant and he the illusion – perhaps the fact – of a madman. readingdifferent bosoms with an acuteness nearly preternatural, the painter did not see the ailment of his very own.

“And this have to be the residence,” said he, searching up and down the the front earlier than he knocked. “Heaven assistmy brains! That picture! Methinks it's going to in no way vanish. whether I study the windows or the door, there it's milesframed within them, painted strongly and glowing in the richest tints – the faces of the photos, the figures and movementof the cartoon!”

He knocked.

“The pics – are they inside?” inquired he of the domestic; then, recollecting himself, “Your grasp and mistress – are they at home?”

“they're, sir,” stated the servant, including, as he noticed that picturesque factor of which the painter ought to neverdivest himself, “and the photographs too.”

The guest became admitted right into a parlor communicating via a crucial door with an indoors room of the identicalsize. because the first apartment turned into empty, he passed to the entrance of the second, inside which his eyes have been greeted by using the ones dwelling personages, as well as their pictured representatives, who had long been the items of so singular an hobby. He involuntarily paused on the brink.

they'd not perceived his approach. Walter and Elinor have been standing earlier than the photos, whence the former had simply flung again the rich and voluminous folds of the silken curtain, retaining its golden tassel with one hand, even asthe other grasped that of his bride. The snap shots, concealed for months, gleamed forth again in undiminished beauty, acting to throw a sombre light across the room instead of to be disclosed via a borrowed radiance. That of Elinor werealmost prophetic. A pensiveness, and next a mild sorrow, had successively dwelt upon her countenance, deepening with the lapse of time into a quiet agony. A combination of affright might now have made it the very expression of the portrait. Walter’s face was moody and dull or animated most effective by using fitful flashes which left a heavier darkness for his or her momentary illumination. He regarded from Elinor to her portrait, and thence to his very own, within thecontemplation of which he subsequently stood absorbed.

The painter appeared to pay attention the step of destiny coming near behind him on its development toward its sufferers. A odd notion darted into his thoughts. become not his own the shape in which that destiny had embodied itself, and he a main agent of the coming evil which he had foreshadowed?

nonetheless, Walter remained silent before the picture, communing with it as along with his personal coronary heart and leaving behind himself to the spell of evil have an effect on that the painter had forged upon the features. regularly his eyes kindled, whilst as Elinor watched the increasing wildness of his face her own assumed a glance of terror; and while, at ultimate, he grew to become upon her, the resemblance of both to their pictures turned into complete.

“Our fate is upon us!” howled Walter. “Die!”

Drawing a knife, he sustained her as she changed into sinking to the ground, and aimed it at her bosom. within the actionand within the appearance and mind-set of each the painter beheld the figures of his sketch. The image, with all its top notch coloring, changed into finished.

“preserve, madman!” cried he, sternly.

He had advanced from the door and interposed himself between the wretched beings with the equal feel of electricity to regulate their future as to modify a scene upon the canvas. He stood like a magician controlling the phantoms which he had evoked.

“What!” muttered Walter Ludlow as he relapsed from fierce pleasure into sullen gloom. “Does destiny impede its very owndecree?”

“Wretched woman,” said the painter, “did I not warn you?”

“you did,” replied Elinor, calmly, as her terror gave region to the quiet grief which it had disturbed. “however I cherishedhim.”

Is there no longer a deep moral in the story? ought to the result of one or all our deeds be shadowed forth and set beforeus, a few could name it fate and hurry onward, others be swept along via their passionate goals, and none be grew to become apart via the prophetic images.

No comments:

Post a Comment